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Boll, Julia and Edelman, Joshua ORCID: https://orcid.org/0000-0002-8298-4845 (2023) The Affective Underpinnings of British Toryism: Nostalgia, Futurity, and the Performativity of the Commons. Coils of the Serpent: Journal for the Study of Contemporary Power (12). pp. 52-73. ISSN 2510-3059
Edelman, JA (2016) Book review: Playing God: The Bible on the Broadway Stage by Henry Bial. Contemporary Theatre Review, 26 (4). pp. 515-517. ISSN 1048-6801
Edelman, JA (2016) Book Review of The Theatrical Public Sphere by Christopher B. Balme. Theatre Research International, 41 (3). pp. 279-280. ISSN 1474-0672
Edelman, JA, Sloboda, J and O'Neill, S (2016) Opera and Emotion: The Cultural Value of Attendance for the Highly Engaged. Participations: journal of audience and reception studies, 13 (1). pp. 24-50. ISSN 1749-8716
Book Section
Edelman, Joshua ORCID: https://orcid.org/0000-0002-8298-4845 (2020) Mike Daisey's False Witness. In: Theatrical Scandals: Social Dynamics of Turbulent Theatrical Events. Themes in Theatre: Collective Approaches to Theatre and Performance . Brill, pp. 216-236. ISBN 978-90-04-43398-4
Edelman, JA (2019) Welcoming a Torah to Northwood: On the Anthropology of Religion and Performance Studies. In: Heavenly Acts: Aspects of Performance in Fath Settings. Cambridge Scholars Publishing, pp. 12-28. ISBN 1-5275-2193-1
Edelman, JA (2017) Spiritual voyeurism and cultural nostalgia: Anglophone visitors to the Oberammergau Passion Play, 1870-201. In: The Oberammergau Passion Play: Essays on the 2010 Performance and the Centuries-long Tradition. McFarland. ISBN 978-0-7864-9603-7
Report
Maples, Holly, Edelman, Joshua ORCID: https://orcid.org/0000-0002-8298-4845, FitzGibbon, Ali, Harris, Laura, Klich, Rosemary, Tartoff, Kurt and Young, Alexandra (2022) Freelancers in the Dark: the economic, cultural, and social impacts of Covid-19 on theatre freelancers. Project Report. University of Essex.
Other
Edelman, JA, Šorli, M and Fisher, T (2014) The Value of Subsidised, Commercial and Amateur Theatre and Dance for Tyneside’s Audiences. Arts and Humanities Research Council.