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Aldana Reyes, Xavier ORCID: https://orcid.org/0000-0002-0194-5319 (2022) Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012). LIT: Literature Interpretation Theory, 33 (2). pp. 82-101. ISSN 1043-6928

Álvarez Trigo, Laura and Aldana Reyes, Xavier ORCID: https://orcid.org/0000-0002-0194-5319 (2022) Digital Gothic : an interview with Xavier Aldana Reyes. REDEN (Revista Española de Estudios Norteamericanos), 3 (2). pp. 16-30. ISSN 2695-4168

Aldana Reyes, Xavier ORCID: https://orcid.org/0000-0002-0194-5319 (2021) Spanish Civil War horror and regional trauma: the politics of painful remembrance in Juan Carlos Medina’s Insensibles (Painless, 2012). English Language Notes, 59 (2). pp. 20-34. ISSN 0013-8282

Aldana Reyes, Xavier ORCID: https://orcid.org/0000-0002-0194-5319, Resende, Ana and Cardoso, André (2020) Interview with Xavier Aldana Reyes. Abusões, 12 (2). p. 313.

Aldana Reyes, Xavier (2019) Introduction: Gothic and Horror Heroinism in the Age of Postfeminism. Revenant: Critical and Creative Studies of the Supernatural, 4. pp. 8-21. ISSN 2397-8791

Aldana Reyes, X and Verran, J (2018) Emerging Infectious Literatures and the Zombie Condition. Emerging Infectious Diseases, 24 (9). ISSN 1080-6040

Aldana Reyes, X (2017) The Curious Case of the Spanish Televisual Vampire. Horror Studies, 8 (2). pp. 241-254. ISSN 2040-3275

Aldana Reyes, X (2017) The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D. The Journal of Italian Cinema and Media Studies, 5 (2). pp. 229-244. ISSN 2047-7368